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Analysis and commentary on the independent and documentary film ecosystem from a longtime nonprofit-sector insider. Issues cover foundation funding strategy, the economics of festival prestige and distribution, and community ownership efforts such as the Letterboxd bid.
Opinionated essays and satire on nonprofit and philanthropy work, covering white moderation, the 'civility industrial complex', and sector culture. Readers get a critical, humorous perspective on how nonprofits and funders reinforce inequity, plus event and book updates from the author.
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