A research blog by Helen Bledsoe documenting artistic experiments in creative coding and artificial life applied to music, including essays on musicians' irreplaceability and project notes on Lenia-based visuals driven by flute audio. Readers get detailed, first-person accounts of technical workflows (Max, TouchDesigner, FluCoMa) alongside philosophical reflections on performance and ALife.
Website: https://research.helenbledsoe.com/
A weekly roundup of noteworthy projects, papers and tools in creative coding, generative art and AI. Each issue explains a few new works in some technical detail, such as speech synthesis models, particle simulations and constraint-based puzzle generation.
A musician from 65daysofstatic shares notes on solo music projects, audio coding, the UK live music scene and technology policy. Issues mix personal reflection, technical development logs and polemic.
Camille Roux writes personal and project-based essays about algorithmic art and creative coding, covering the learning journey from first scripts to a major studio drop. Issues also walk through the technical and conceptual design of individual generative artworks, such as isolines, signed distance functions and collector-controlled parameters.
A newsletter from a French generative art collective, sharing the making of their shader-based watercolour and pencil series such as The Source and The Destination. Issues mix technical breakdowns of techniques like domain warping, signed distance functions and cosine palettes with announcements of limited print sales.
One short email a week with hand-picked newsletters from the index. Free, no spam, unsubscribe anytime.
