Stage director Ross Matsuda writes about his productions, offering behind-the-scenes reflections on staging operas like Massenet's Cendrillon and Dick Turner's The Day the Dogs Began to Talk. Readers get director's-eye commentary on interpretation, absurdist theatre and audience engagement.
Website: https://www.rossmatsuda.com/
A Berlin-based opera lover shares reviews of recent productions and essays on why opera matters, with a personal, witty voice. Recent posts cover a Komische Oper staging of Lady Macbeth of Mtsensk and a Berlin Philharmonie concert, plus a reflective piece on a radio project pairing him with a Union Berlin fan.
This is a soprano's personal website sharing announcements about her performances and recordings, such as a radio broadcast of a new opera, an upcoming role in Cinderella, and a new album release. It serves mainly as a promotional update page for her career rather than a general newsletter.
Apotheose.art is a newsletter by Frederick Gordts that highlights beautiful productions in opera, classical music and art. Recent issues feature short notes and Instagram-embedded posts on specific performances such as Puccini's Tosca in Amsterdam and Rameau's Les Indes Galantes at The Grange Festival.
Promotional announcements for Underground Opera Company's performances in unusual venues, including the Capricorn Caves in Rockhampton and Kingscliff Community Hall. Issues mainly list dates, ticket prices and performer bios rather than offering commentary or analysis.
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